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Directors’ credit-bearing auteur Lee Cronin’s The Mummy opened to reviews on April 16 ahead of its April 17 theatrical release, with critics largely agreeing it is a visceral, gory reworking of the classic monster myth.
Produced with support from genre heavyweights including Jason Blum and James Wan, the film stars Jack Reynor and Laia Costa as parents whose daughter (played as a teen by Natalie Grace) is found mummified after an eight-year disappearance.
Shot in Ireland and Spain, the story shifts between Egypt and New Mexico and centers on possession and family horror, drawing frequent comparisons to The Exorcist, Evil Dead Rise and other possession films.
Reviewers praise Cronin’s audacious set pieces, makeup and sound design, and the film’s appetite for transgressive gross-out shocks, while many note its lengthy 133-minute runtime, reliance on familiar possession tropes and uneven exploitation of its more novel ideas.
Critics are split on originality but agree the film should find a strong audience among gore-driven horror fans and could fuel franchise potential.
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Cronin’s The Mummy is being read as a stylistic, gore-heavy possession reboot that divides critics and viewers: praised for craft and audacity but criticized for excess and length. That split reaction may sharpen audience curiosity and favor horror fans over mainstream viewers.







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