Usher and Chris Brown will co‑headline a 33‑date North American stadium tour beginning June 26 at Empower Field at Mile High in Denver and concluding Dec. 11 at Raymond James Stadium in Tampa. The Raymond & Brown — promoted as The R&B Tour — visits major markets including Detroit, Minneapolis, Washington, D.C., Toronto, Boston, Chicago, San Francisco, Los Angeles, Las Vegas, Dallas, Houston, Atlanta, New Orleans and Miami. Citi cardmember presales open April 21 (12 p.m. local) with a Citi presale window through April 22; the tour presale for registered fans runs April 23 (fans must sign up by April 21 at 10 p.m. ET); general public on‑sale begins April 27 at 12 p.m. local time via Ticketmaster and the tour website. The announcement follows a cinematic Instagram trailer posted April 10. Both artists arrive to the run off the back of blockbuster solo campaigns — Brown with new album BROWN due May 8 — and the pairing comes amid widely reported past tensions between the two performers.

Madonna on April 15 confirmed Confessions II, a long‑teased sequel to her 2005 dance‑pop landmark Confessions on a Dance Floor, and set its release for July 3, 2026 via Warner Records. The 67‑year‑old pop star shared cover art and a short visualiser previewing opening material — billed as “I Feel So Free”/“One Step Away” in different outlets — and reunited with original Confessions producer Stuart Price. Madonna released a manifesto framing the record around the dance floor as a ritualistic, spiritual space and has begun global promotional activity, including posters in city centres and online teases after wiping her Instagram. The 15th studio album is her first full LP since 2019’s Madame X; details such as full tracklist, collaborators and tour plans have not been announced. Media coverage notes speculation about guest appearances (including Sabrina Carpenter and unconfirmed outreach to Britney Spears) and possible festival tie‑ins. Warner is positioning the project as both a return to a signature sound and a major commercial push across streaming, physical formats and festival promotion.

Nine Inch Nails and German electronic producer Boys Noize (Alexander Ridha) will release a 12‑track collaborative LP titled Nine Inch Noize on Friday, April 17, 2026 via Interscope. The collection mirrors the pair’s full‑set debut at Coachella’s Sahara tent on April 11 and features electronic reworkings of Nine Inch Nails songs alongside new interpretations of How to Destroy Angels’ “Parasite,” Soft Cell’s “Memorabilia” and the TRON: Ares track “As Alive As You Need Me To Be.” Trent Reznor said the recordings were captured “all over the place — some of it’s live, some in studios, hotels, planes, etc.” The tracklist includes reimagined versions of “Closer,” “Copy of A,” “Vessel,” “Came Back Haunted” and others. Reznor confirmed there will be no extended Nine Inch Noize tour beyond the Coachella performances and said he plans to resume work on new Nine Inch Nails material immediately after the festival.

Kacey Musgraves was announced April 14 as a last-minute addition to Coachella’s second weekend, set to perform a 50-minute surprise slot at the Mojave Tent on Saturday, April 18 from 3:00 to 3:50 p.m. PT in Indio, California. The appearance comes as Musgraves prepares to release her seventh studio album, Middle of Nowhere, on May 1 via Lost Highway Records; the 13-track record features collaborations with Willie Nelson, Miranda Lambert, Billy Strings and Gregory Alan Isakov and follows the recent single “Dry Spell.” In tandem with the Coachella announcement, Musgraves launched an Instagram account, @spaceysightings, to document alleged UFO sightings she says she has experienced, and she drew additional attention by sharing a parody AI image mocking former President Donald Trump’s criticized post — replacing his depicted Christ figure with Dolly Parton. Multiple outlets reported the additions and social posts on April 15, 2026.

Spotify and the National Independent Venue Association (NIVA) announced a year-long partnership on April 15-16, 2026, aimed at increasing exposure for independently owned live-music venues across the United States. The deal will expand discoverability of indie shows on Spotify through enhanced venue pages, the Live Events Feed and other concert-discovery features, and will display NIVA’s “Certified Live Independent” seal on participating venue pages. This summer Spotify will launch an Independent Booker Spotlight editorial playlist series in which a NIVA-selected booker will co-curate a monthly playlist with Spotify’s editorial team. The initiative names dozens of venues in markets such as Los Angeles (including the Troubadour, Teragram Ballroom and Bellwether) and builds on prior Spotify efforts such as Concerts Near You, venue-following, past pandemic support for NIVA’s #SaveOurStages fund and integrations with ticketing partners. Spotify framed the pact as part of a longer-term push to support grassroots scenes at a time when the live sector is consolidating under major promoters.

The Rock & Roll Hall of Fame has updated its 2026 induction roster to include former Oasis bassist Paul “Guigsy” McGuigan and drummer Alan “Whitey” White after both names were initially absent from the announcement. McGuigan, Oasis’s original bassist from 1991–1999, and White, who played on key albums including (What’s the Story) Morning Glory, now appear on the Hall’s website following coverage and fan outcry led in part by a #JusticeForGuigsy push. The initial omission — which left McGuigan off while including early drummer Tony McCarroll — was flagged by media outlets on April 15–16, 2026; the Hall’s correction came within days. Organisers have not publicly explained the change, which may reflect a clerical error or intervention by the Oasis camp. The induction ceremony is scheduled for Nov. 14, 2026 at the Peacock Theater in Los Angeles; this year’s class also includes acts such as Wu-Tang Clan, Phil Collins, Joy Division/New Order, Sade, Iron Maiden, Billy Idol and Luther Vandross. Recording of the ceremony will air on ABC and Disney+ in December.